The new changes in jazz improvisation in America, coming under the somewhat unedifying nomenclature of bebop, permeated rather slowly into the British jazz scene during the mid 1940s, partly because most of the more jazz-influenced big bands of the time were wary of its potential and longevity. Equally though was the telling fact that in those days what we now take for granted of American jazz groups working in Britain, and vice-versa, was unheard of, due to the counter-productive blockage on the exchange of British and American musicians by their respective Unions.

See also JASCD 638.

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BOSWORTH MODERN JAZZ GROUP
1. REBOP REBELS
2. QUINTESSENCE
3. BOPPIN' THE BOOGIE
4. BALTIMORE BOP
STEVE RACE GROUP
5. VERTIGO
6. MARZIPAN
7. BUGLE CALL BOP
8. MICROCOSMO
ALAN DEAN'S BEBOPPERS
9. GONE WITH THE WINDMILL (TAKE 1)
10. GONE WITH THE WINDMILL (TAKE 2)
11. BARBADOS
12. ELEVENSES
JOHNNY DANKWORTH SEVEN
13. OOL-YA-KOO
14. LIGHTLY POLITELY
15. STRIKE UP THE BAND
16. MARMADUKE
17. LITTLE BENNY
RALPH SHARON SEXTET
18. BURMAN'S BAUBLE
19. BOPTICAL ILLUSION
TOMMY WHITTLE QUARTET
20. ALL THE THINGS YOU ARE
21. PERHAPS, PERHAPS, PERHAPS
TOMMY WHITTLE SEPTET
22. WIT'S END
23. PORTLAND PLACE
24. SAM'S SAY
25. NIGHT AND DAY